The three main festivals (khawsáṅgaw) of the Kalash are the Joshi festival in late May, the Uchau in autumn, and the Caumus in midwinter.The pastoral god Sorizan protects the herds in Fall and Winter and is thanked at the winter festival, while Goshidai does so until the Pul festival (pũ. from *pūrṇa, full moon in Sept.) and is thanked at the Joshi (joṣi, žōši) festival in spring. Joshi is celebrated at the end of May each year. The first day of Joshi is "Milk Day", on which the Kalash offer libations of milk that have been saved for ten days prior to the festival.
https://www.youtube.com/watch?v=5s5JQjpS_Nk
The most important Kalash festival is the Chawmos (cawmōs, ghona chawmos yat, Khowar "chitrimas" from *cāturmāsya, CDIAL 4742), which is celebrated for two weeks at winter solstice (c. Dec. 7-22), at the beginning of the month chawmos mastruk. It marks the end of the year's fieldwork and harvest. It involves much music, dancing, and the sacrifice of many goats. It is dedicated to the god Balimain who is believed to visit from the mythical homeland of the Kalash, Tsyam (Tsiyam, tsíam), for the duration of the feast. Food sacrifices are offered at the clans' Jeshtak shrines, dedicated to the ancestors.
https://www.youtube.com/watch?v=5s5JQjpS_Nk
The most important Kalash festival is the Chawmos (cawmōs, ghona chawmos yat, Khowar "chitrimas" from *cāturmāsya, CDIAL 4742), which is celebrated for two weeks at winter solstice (c. Dec. 7-22), at the beginning of the month chawmos mastruk. It marks the end of the year's fieldwork and harvest. It involves much music, dancing, and the sacrifice of many goats. It is dedicated to the god Balimain who is believed to visit from the mythical homeland of the Kalash, Tsyam (Tsiyam, tsíam), for the duration of the feast. Food sacrifices are offered at the clans' Jeshtak shrines, dedicated to the ancestors.
Much dancing in giant circles around bonfires and chanting in mesmerising repetitions – with just a drum beat accompanying the voices. The girls wear intricate costumes with dresses made of cowery shells, coins and beads with intricate hair braiding and headwear. The heavy headdress weighing several pounds is presented to the girl by her uncle. Other jewellery includes necklaces made from apricot kernels, a traditional gift during Choimus. Women often paint their faces with ink (replacing earlier customs of facial tattooing). Single woman are expected to find themselves a husband during these festivals.
Just before the main festival, seasonal foods are offered to the ancestral spirits and a kotik, light for the ancestors, is lit. After this ritual the food, considered impure, is offered to the elderly women to be eaten.
During the festival, purity is paramount and celibacy is enforced throughout the days of the event so all the people will be in pure mind when Balomain visit the valley. All the people must be cleansed in a ritual bathing the week before the festival begins. During the men’s purification ceremony, they must not sit down at all during the day and at night the blood of a sacrificed goat is sprinkled on their faces. Special bread is eaten cooked away from the main village which is prepared by men only during the purification ceremony. Other bread called jaou or choimus breadis prepared for the festival which is stuffed with crushed walnuts and goats cheese.
Special dance halls exist for the purpose of dancing at festivals. They are decorated with ornate carved wooden pillars and goat-like figurines. The music and dance is a performance of set songs: the Cha or clapping song is the simplest song with a lilting dance, sung by the elders, with an energetic round dance and the women cry like goats. The drajahilak songs are long and slow, sometimes one song can last up to 2 hours and it is a kind of solo and chorus using improvisation and variation techniques. The Dushak combines the styles of Cha and Drajahilak, presenting both traditional songs and new compositions.The dancing involves side stepping, fast and rhythmical.
During the festival prayers, a procession is made to a high plateau outside of the village in Balanguru where the long night of dancing begins. The festivals continues for many more day moving on to different locations within the valleys.
At Chaumos, impure and uninitiated persons are not admitted; they must be purified by a waving a fire brand over women and children and by a special fire ritual for men, involving a shaman waving juniper brands over the men. The 'old rules' of the gods (Devalog, dewalōk) are no longer in force, as is typical for year-end and carnival-like rituals. The main Chaumos ritual takes place at a Tok tree, a place called Indra's place, "indrunkot", or "indréyin". Indrunkot is sometimes believed to belong to Balumain's brother, In(dr), lord of cattle.[Ancestors, impersonated by young boys (ōnjeṣṭa 'pure') are worshipped and offered bread; they hold on to each other and form a chain (cf. the Vedic anvārambhaṇa) and snake through the village.
The men must be divided into two parties: the pure ones have to sing the well-honored songs of the past, but the impure sing wild, passionate, and obscene songs, with an altogether different rhythm. This is accompanied by a 'sex change': men dress as women, women as men (Balumain also is partly seen as female and can change between both forms at will).
This includes the Festival of the Budulak (buḍáḷak, the 'shepherd king'). In this festival, a strong prepubescent boy is sent up into the mountains to live with the goats for the summer. He is supposed to get fat and strong from the goat milk. When the festival comes he is allowed for a 24-hour period only to have sexual intercourse with any woman he wants, including even the wife of another man, or a young virgin. Any child born of this 24-hour period is considered to be blessed. The Kalash claim to have abolished this practice in recent years due to negative worldwide publicity.
At this crucial moment the pure get weaker, and the impure try to take hold of the (very pure) boys, pretend to mount them "like a hornless ram", and proceed in snake procession. At this point, the impure men resist and fight. When the "nagayrō" song with the response "han sarías" (from *samrīyate 'flows together', CDIAL 12995) is voiced, Balumain showers all his blessings and disappears. He gives his blessings to seven boys (representing the mythical seven of the eight Devalog who received him on arrival), and these pass the blessings on to all pure men.
In myth, Mahandeu had cheated Balumain from superiority, when all the gods had slept together (a euphemism) in the Shawalo meadow; therefore, he went to the mythical home of the Kalash in Tsiyam (tsíam), to come back next year like the Vedic Indra (Rigveda 10.86). If this had not happened, Balumain would have taught humans how to have sex as a sacred act. Instead, he could only teach them fertility songs used at the Chaumos ritual. He arrives from the west, the (Kati Kafir) Bashgal valley, in early December, before solstice, and leaves the day after. He was at first shunned by some people, who were annihilated. He was however, received by seven Devalog and they all went to several villages, such as Batrik village, where seven pure, young boys received him whom he took with him. Therefore, nowadays, one only sends men and older boys to receive him. Balumain is the typical culture hero. He told people about the sacred fire made from junipers, about the sowing ceremony for wheat that involved the blood of a small goat, and he asked for wheat tribute (hushak) for his horse. Finally, Balumain taught how to celebrate the winter festival. He was visible only during his first visit, now he is just felt to be presentDuring the winter the Kalash play an inter-village tournament of Chikik Gal (ball game) in which villages compete against each other to hit a ball up and down the valley in deep snow.
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